Memorial Steles of Jikishinkage-ryū

Jikishinkage-ryū is commemorated in stone at more than one place, and its memorial steles are not neutral lineage records so much as partisan monuments in a succession dispute. Three sites carry the relevant inscriptions.

At Kashima Jingū, by the Mitarashi pond (御手洗池), the Hyakuren-kai (百錬会) maintains a cluster of four monuments — the 1968 founder’s stele, a stele to the fifteenth-generation Yamada Jirōkichi, an ancestral-spirits shrine, and the “Hyakuren jitoku” motto stone — transcribed and translated below.

In Chiba, at Kitashimizu Fudō-in in Yokoshiba, a 1960 “Stele of the Martial Man” honours Kawashima Takashi as the sixteenth-generation orthodox successor; its full text and the twenty-three-name roster of those who raised it are given below under Chiba. A second stele at Kashima Jingū — by the Sakashita pond (坂下の池) — likewise names Kawashima sixteenth-generation, independently of the Yokoshiba stone.

These monuments bracket a quiet contest over the succession. The 1968 founder’s stele runs the line straight from the fifteenth-generation Yamada to the seventeenth-generation Ōnishi Hidetaka, with no sixteenth generation; the 1960 stelae name Kawashima to that seat. How the 1968 monument produces its seamless story — and writes Kawashima out — is examined below in Reading the 1968 Founder’s Stele.

Kashima

Within the precincts of Kashima Jingū (鹿島神宮), by the Mitarashi pond (御手洗池), stand a cluster of Kashima-shinden Jikishinkage-ryū monuments maintained by the Hyakuren-kai (百錬会). The texts and details below are drawn from the Hyakuren-kai’s own documentation of the site (Kashima Shinden Jikishinkage-ryū Hyakuren-kai — “Kashima Jingū no kanren shisetsu” (鹿島神宮の関連施設), n.d.);1 the founder’s stele is transcribed from that documentation and checked against the stone, the Yamada stele is read from the stone in photographs taken in October 2026, and the shrine and the motto stone are described as far as the sources allow.

One point of method worth stating at the outset: the founder’s stele is not a neutral lineage record. It was raised in 1968 in the name of the seventeenth-generation Ōnishi Hidetaka, and its account of the succession runs directly from the fifteenth generation to the seventeenth, omitting the sixteenth — Kawashima Takashi, whom his own Yokoshiba memorial of 1960 names as sixteenth-generation orthodox.2 The monument is therefore best read as a partisan document of the post-Yamada schism rather than as a settled genealogy.

Stone and wooden torii beneath a great tree on the approach to the Mitarashi pond, Kashima Jingū
Torii on the approach to the Mitarashi pond, Kashima Jingū. Photograph by the author, October 2026.

1. The Founder’s Stele (鹿島神傳直心影流流祖碑)

Frontispiece (daigaku, 題額) by Sasai Shintarō (佐々井信太郎 (opens in a new tab)), Doctor of Literature;3 text composed by Mizuma Shingo (三潴信吾 (opens in a new tab)), Professor of Takasaki City University of Economics;4 calligraphy by Ōmori Sōgen (大森曽玄).5 Dated kōki 2628 / May Shōwa 43 (1968).6

The 1968 founder's stele of Kashima-shinden Jikishinkage-ryū, a framed inscription on a tall stone among trees
The founder's stele, 1968. Photograph by the author, October 2026.

夫レ古来我ガ武道ハ剣道ニ由ツテ立ツ。

Sore korai waga budō wa kendō ni yotte tatsu.

From of old, our martial way has stood upon the way of the sword.

而シテ日本刀ノ神髓ハ實ニ皇国伝来ノ惟神之大道ヲ百錬自得、世々ニ継受シテ、生成化育創造ノ至妙ヲ發揚シ、以テ無窮ニ彌榮エ、至誠一貫、唯天業ニ侍スル大和魂其ノ者ニ他ナラズ。

Shikashite Nihontō no shinzui wa jitsu ni kōkoku denrai no kannagara no daidō o hyakuren-jitoku, yoyo ni keiju shite, seisei kaiiku sōzō no shimyō o hatsuyō shi, motte mukyū ni iyasakae, shisei ikkan, tada tengyō ni jisuru Yamato-damashii sono mono ni hokanarazu.

And the true essence of the Japanese sword is nothing other than the Yamato spirit itself — that which, attaining through hundredfold tempering the great Way of the gods handed down in the imperial land,7 inheriting it generation upon generation, manifests the supreme subtlety of generation, nurture and creation; flourishes endlessly without limit; is utmost sincerity from first to last; and serves the heavenly enterprise alone.

生ク足ルノ義亦正ニ此ニ在ラン。

Iku taru no gi mata masa ni koko ni aran.

The meaning of a life fully lived, too, lies precisely here.8

剣道ノ本ハ術ニ在ラズ、日本刀ノ質ハ具ニ在ラズ。

Kendō no moto wa jutsu ni arazu, Nihontō no shitsu wa gu ni arazu.

The root of the way of the sword does not lie in technique; the nature of the Japanese sword does not lie in the implement.

其ノ修得ニ志ス者、齊シク心ヲ清メ體ヲ持シ、専ラ神意ヲ畏ミテ、須臾モ油断アルベカラズ。

Sono shūtoku ni kokorozasu mono, hitoshiku kokoro o kiyome, karada o jishi, moppara shin’i o kashikomite, shuyu mo yudan aru bekarazu.

Those who aspire to master it must alike purify the heart and discipline the body, reverently heed the divine will and never relax their guard even for a moment.

謹ミテ想フニ、千早振ル神代ノ昔、建御雷之男神、智勇殊ニ勝レ、神命ヲ畏ミテ韴霊剣ヲ佩キ、高天原ヨリ降リテ出雲ニ使シ、大國主命ノ治メ給ヘル豊葦原ヲ獻リテ天孫ヲ迎フルノ神機ヲ成ス。

Tsutsushimite omou ni, chihayaburu kamiyo no mukashi, Takemikazuchi-no-o-no-kami, chiyū koto ni sugure, shinmei o kashikomite Futsu-no-mitama no tsurugi o haki, Takamagahara yori kudarite Izumo ni tsukai shi, Ōkuninushi-no-mikoto no osame-tamaeru Toyoashihara o tatematsurite tenson o mukauru no shinki o nasu.

Reverently I reflect: in the age of the gods of old, Takemikazuchi-no-o-no-kami, surpassing in wisdom and valor, in awe of the divine command girded the Futsu-no-mitama sword, descended from Takamagahara as envoy to Izumo and brought about the divine turning by which Ōkuninushi-no-mikoto offered up the Toyoashihara land he had ruled and welcomed the heavenly grandchild.

皇國ノ基茲ニ開ク。鹿島神宮創始ノ淵源ニシテ、武道發祥ノ所以也。

Kōkoku no moto koko ni hiraku. Kashima Jingū sōshi no engen ni shite, budō hasshō no yuen nari.

Thus the foundation of the imperial land was opened here — the very wellspring of Kashima Jingū’s founding, and the reason it is the birthplace of the martial Way.

史上、海邊防備ノ防人モ此地ニ武ヲ練リ、海外ニ使スル者亦當神宮ノ神祐ヲ祈リテ出デ立ツヲ習トシ、以テ「鹿島立チ」ノ名起ル。

Shijō, kaihen bōbi no sakimori mo kono chi ni bu o neri, kaigai ni tsukai suru mono mata tō-jingū no shin’yū o inorite idetatsu o narai to shi, motte “Kashima-dachi” no na okoru.

In history the frontier-guards (sakimori) of the coastal defenses honed their martial skill here; and those sent abroad likewise made it their custom to set out after praying for this shrine’s divine protection — whence arose the term “Kashima-dachi,” the setting-out from Kashima.

中葉、兵法者多ク此地ニ参集セル中ニ、當神宮ノ祝部松本備前守尚勝、神傳ヲ得テ鹿島神流ヲ起シ、門系上泉伊勢守信綱ニ至リ新陰流ヲ開キ、七代山田平左衛門ニ及ビ直心影流ノ稱ヲ定ム。

Chūyō, heihōsha ōku kono chi ni sanshū seru naka ni, tō-jingū no hafuri Matsumoto Bizen-no-kami Naokatsu, shinden o ete Kashima Shin-ryū o okoshi, monkei Kamiizumi Ise-no-kami Nobutsuna ni itari Shinkage-ryū o hiraki, nana-dai Yamada Heizaemon ni oyobi Jikishinkage-ryū no shō o sadamu.

In a middle age, among the many martial men who gathered here, the shrine’s priest (hafuri) Matsumoto Bizen-no-kami Naokatsu9 received the divine transmission10 and founded Kashima Shin-ryū; the lineage reached Kamiizumi Ise-no-kami Nobutsuna, who opened Shinkage-ryū; and by the seventh generation, Yamada Heizaemon, the name Jikishinkage-ryū was fixed.

一切諸行ハ心ノ影也、氣ハ即チ影ニ應ズ、直キ心コソ大事ナレ、トノ意也。

Issai shogyō wa kokoro no kage nari, ki wa sunawachi kage ni ōzu, naoki kokoro koso daiji nare, to no i nari.

All actions are shadows of the heart; the spirit (ki) answers to that shadow; an upright heart is what truly matters — such is the meaning of the name.

流祖備前守出デテ、茲ニ五百年ヲ迎フ。

Ryūso Bizen-no-kami idete, koko ni gohyaku-nen o mukau.

Five hundred years have now passed since the founder Bizen-no-kami appeared.

此ノ時ニ當リ、且ハ邦家ノ現状ニ鑒ミ、十五代山田次朗吉門弟、十七代大西英隆ノ遺志ヲ継ギ、同志相議リ謹ミテ碑ヲ立テ、以テ皇國守護斯道恢弘ノ微衷ヲ祈念セント欲ス。

Kono toki ni atari, katsu wa hōka no genjō ni kangami, jūgo-dai Yamada Jirōkichi montei, jūnana-dai Ōnishi Hidetaka no ishi o tsugi, dōshi ai-hakari tsutsushimite hi o tate, motte kōkoku shugo, shidō kaikō no bichū o kinen sen to hossu.

At this juncture, mindful too of the present state of the nation, carrying on the will of the seventeenth-generation Ōnishi Hidetaka — a disciple of the fifteenth-generation Yamada Jirōkichi — like-minded persons, taking counsel together, have reverently raised this stele, wishing thereby to pray with humble sincerity11 for the protection of the imperial land and the broad propagation of this Way.2

神霊庶幾クハ受ケサセ給ヘ。

Shinrei koinegawakuwa ukesase-tamae.

May the divine spirits, we humbly pray, deign to receive this.

Attribution lines: Respectfully composed by Mizuma Shingo, Professor, Takasaki City University of Economics. Imperial Year 2628 / May Shōwa 43 (1968). Respectfully brushed by Ōmori Sōgen. (高崎經濟大学教授三潴信吾謹撰/皇紀二千六百二十八年 昭和四十三年五月/大森曽玄謹書)

2. The Yamada Jirōkichi Ittokusai Stele (靈劍位 山田一徳齋碑)

The oldest monument in the cluster, and the one that explains why the cluster is where it is. Header (題額) 靈劍位 (Reiken-i, “the spirit-sword seat”) by 從三位勳一等侯爵 小松輝久 (Marquis Komatsu Teruhisa);12 text composed by 東京帝國大學教授從四位勳三等文學博士 鹽谷溫 (Shionoya On, the sinologist); calligraphy by 小田勝太郎 (Oda Katsutarō); carved by 東京青山 石勝 (Ishikatsu of Aoyama, Tokyo). Dated July Shōwa 6 (1931), eighteen months after Yamada’s death.13

The Yamada Jirōkichi stele at Kashima Jingū, a tall weathered stone headed 靈劍位
The Yamada stele, 1931. Photograph by the author, October 2026; select it for a larger image.

The text is literary Chinese (kanbun) rather than the katakana bungo of the 1968 founder’s stele. It is read here from the stone, in high-resolution photographs taken October 2026; uncertain graphs are in 〔〕 and characters that cannot be read are marked □.

Yamada stele, right-hand columns of the inscription Yamada stele, middle columns of the inscription Yamada stele, left-hand columns with the attribution lines
The inscription, right to left, in three sections; the last holds the attribution lines. Select each for a larger image.

劍法之傳尚矣。足利氏季世、諸流競起。鹿島神流祖爲松本尚勝、後改直心影流、十四傳至榊原鍵吉、稱爲中興。而山田君一德齋〔實〕爲其高足焉。

剣法の伝は尚し。足利氏の季世、諸流競ひ起る。鹿島神流の祖は松本尚勝たり、後に直心影流と改め、十四伝して榊原鍵吉に至り、称して中興と為す。而して山田君一徳斎は実に其の高足なり。

The transmission of swordsmanship is ancient. In the last age of the Ashikaga, schools arose in rivalry. The founder of Kashima Shin-ryū was Matsumoto Naokatsu; the name was later changed to Jikishinkage-ryū, and after fourteen transmissions it reached Sakakibara Kenkichi, who is called its restorer. And Yamada, Ittokusai, was truly his foremost pupil.14

君諱次朗吉、一德齋其號、上總富岡村人。早歲立志、入榊原氏門、專習擊劍、〔勵〕精刻苦、業大進、遂得鍵吉傳、而爲第十五世。

君、諱は次朗吉、一徳斎は其の号、上総富岡村の人。早歳志を立て、榊原氏の門に入り、専ら撃剣を習ひ、励精刻苦し、業大いに進み、遂に鍵吉の伝を得て、第十五世と為る。

His name was Jirōkichi, Ittokusai his gō; he was a man of Tomioka village in Kazusa.15 In youth he set his resolve, entered Sakakibara’s gate and gave himself to fencing; he trained with unsparing diligence, his skill advanced greatly, and at last he received Kenkichi’s transmission and became the fifteenth generation.

夫劍之爲道也、以精神爲本、技術爲末。而昇平之久、文弱爲弊、劍術者流、唯以握竹刀爭輸贏爲能、雖謂體育、實與游技無異。

夫れ剣の道たるや、精神を以て本と為し、技術を末と為す。而るに昇平の久しき、文弱弊を為し、剣術者流、唯竹刀を握りて輸贏を争ふを以て能と為し、体育と謂ふと雖も、実は游技と異なる無し。

The Way of the sword takes spirit as its root and technique as its branch. But in a long peace, effete weakness became the vice: swordsmen took it for skill merely to grip a bamboo sword and contend for wins. They called it physical training, but in truth it was no different from a game.

君深慨之、潛思錬心、用力根本、常戒子弟、排空理、主實踐、以練心膽爲要。何其偉也。

君深く之を慨き、潜思して心を錬り、力を根本に用ひ、常に子弟を戒めて、空理を排し、実践を主とし、心胆を練るを以て要と為す。何ぞ其れ偉なるや。

Yamada grieved deeply at this. He pondered quietly and trained the mind, applied his strength to the root, and constantly admonished his students to reject empty theory, put practice first, and hold the tempering of mind and courage to be the essential thing. How great he was!

君容貌魁梧、膂力過人、而忠義出天性。征清役、北白川宮能久親王親率師入臺灣。親王即故輪王寺宮、上野彰義之變、榊原鍵吉所奉□□難也。君以先師故、特請編成拔刀隊、以爲衞兵、不許。及親王薨於陣、君慟哭曰、我而扈從、必不使至於此。

君、容貌魁梧、膂力人に過ぎ、而して忠義天性より出づ。征清の役、北白川宮能久親王親ら師を率ゐて台湾に入る。親王は即ち故の輪王寺宮にして、上野彰義の変に、榊原鍵吉の奉じて□□せし所の難なり。君、先師の故を以て、特に請ひて抜刀隊を編成し、以て衛兵と為さんとするも、許されず。親王の陣に薨ずるに及び、君慟哭して曰く、我にして扈従せば、必ず此に至らしめざらんと。

He was imposing in appearance, with strength beyond other men, and his loyalty sprang from his nature. In the war against Qing, Prince Kitashirakawa Yoshihisa personally led the army into Taiwan. The prince was the former Rinnōji-no-miya, whom Sakakibara Kenkichi had [□□] in his peril at the Shōgitai rising at Ueno. For his late teacher’s sake, Yamada asked specially to form a drawn-sword unit to serve as the prince’s guard; it was not permitted. When the prince died in the field, Yamada wept aloud and said: “Had I been in his escort, I would surely not have let it come to this.”16

又善視榊原氏遺族、經紀其家事。君開道場於本鄉弓街、北白川宮成久王、輝久王、共聘君受業。

又榊原氏の遺族を善く視、其の家事を経紀す。君、道場を本郷弓街に開き、北白川宮成久王・輝久王、共に君を聘して業を受く。

He also looked kindly after Sakakibara’s bereaved family and managed their affairs. He opened a dōjō at Yumi-chō in Hongō, and Princes Kitashirakawa Naruhisa and Teruhisa both engaged him and studied under him.12

君又教授於東京帝國大學農科大學、東京商科大學等、弟子數百〔千〕人、而莫能究秘奧者。君以後世失其傳爲憾、發憤著正續劍道集義、日本劍道史、鹿島神傳直心影流、竝行於世。

君又東京帝国大学農科大学・東京商科大学等に教授し、弟子数百千人なれども、能く秘奥を究むる者莫し。君、後世其の伝を失ふを以て憾と為し、発憤して正続剣道集義・日本剣道史・鹿島神伝直心影流を著し、並びに世に行はる。

He also taught at the Agricultural College of Tokyo Imperial University, Tokyo University of Commerce and elsewhere; his disciples numbered in the hundreds and thousands, yet none could fathom the secret depths. Regretting that later generations might lose the transmission, he roused himself to write Kendō shūgi and its sequel, Nihon kendō-shi and Kashima-shinden Jikishinkage-ryū, all of which are current in the world.17

昭和五年一月九日病歿、享年六十八。頃者門人胥謀建石、以不朽其德、徵文於余。

昭和五年一月九日病みて歿す、享年六十八。頃者門人胥謀りて石を建て、以て其の徳を不朽にせんとし、文を余に徴す。

He died of illness on 9 January Shōwa 5 (1930), aged sixty-eight.18 Recently his disciples resolved together to raise a stone to make his virtue imperishable, and asked me for the text.

余平生督學生劍道、常觀商科大學生劍術、手法〔須〕嚴、不屑屑於勝敗之末、深服君指導得宜。先□君亦與君有舊誼、不得辭、乃據狀敍其梗槩如此。

余平生学生の剣道を督し、常に商科大学生の剣術を観るに、手法須く厳にして、勝敗の末に屑屑たらず、深く君の指導の宜しきを得たるに服す。先□君も亦君と旧誼有り、辞するを得ず、乃ち状に拠りて其の梗概を叙すること此の如し。

I have long supervised student kendō, and have often watched the swordsmanship of the Commerce University students: their technique strict, and not fussing over the trivia of winning and losing. I deeply admired how apt his instruction was. My late □19 also had an old friendship with him, so I could not refuse, and, following the record submitted to me, I have set out its outline thus.20

君每年盛夏、例率門人詣鹿島神祠、浴池水以潔身、獻〔法定〕於神前。於是建碑於池畔、以爲記念云。

君、毎年盛夏、例として門人を率ゐて鹿島神祠に詣で、池水に浴して以て身を潔め、法定を神前に献ず。是に於て碑を池畔に建て、以て記念と為すと云ふ。

Every midsummer Yamada would lead his disciples to the Kashima shrine, bathe in the waters of the pond to purify himself, and offer the Hōjō before the god.21 Hence this stele is raised at the pond’s edge, as a memorial.[^pond-y]

Attribution lines: 昭和六年七月 東京帝國大學教授從四位勲三等文學博士鹽谷温撰 小田勝太郎書 東京青山石勝鐫.

Context

The body text is Shionoya’s, but he states that he wrote it 據狀 — from the record (状) the disciples submitted — and the disciples who commissioned the stone in 1931 were the Tokyo circle around Yamada’s Hongō dōjō and the Hitotsubashi kendō club, the circle in which Ōnishi Hidetaka was already a leading figure (he represented that club at Yamada’s funeral the year before). The 1931 stele is therefore the earliest witness to the post-Yamada succession, but not a disinterested one.

With that in view: first, the stele names no successor. More than that, it says that among Yamada’s hundreds and thousands of students “none could fathom the secret depths,” and that Yamada wrote his books because he feared the transmission would die with him. Written six years after Kawashima, in Tainan, had accepted the sixteenth generation and withdrawn, it does not settle who succeeded Yamada at the time.

Yamada’s annual midsummer misogi was held at the future location of the stele with his students, who bathed in the pond and then offered the Hōjō, the school’s fundamental kata, before the god. The site is a memory of his practice; the 1968 founder’s stele was placed beside his, and the whole precinct arrangement inherits its sacred-place logic from this earlier monument.

Komatsu Teruhisa, who wrote the header, was Prince Kitashirakawa Yoshihisa’s son and — per the stele — Yamada’s student along with his brother Naruhisa; Yamada’s attempted enlistment to follow their father to Taiwan in 1895 explains the bond, and the stone gives its root: Yamada asked “for his late teacher’s sake,” because Sakakibara had stood by the prince at Ueno in 1868. The irony for the Kawashima chapter is exact: the fifteenth-generation head tried to go to Taiwan with the pacification army of 1895; the sixteenth went there as the colonial police’s kendō instructor in 1911. Õnishi would find himself later in Hong Kong.

3. The Ancestral-Spirits Shrine (祖霊社)

A small shrine (sorei-sha) in the precinct cluster; the Hyakuren-kai records that the seventeenth-generation Ōnishi Hidetaka is enshrined (gōshi, 合祀) there. No inscription is given online.

A small wooden shrine with shimenawa among ferns, Kashima Jingū
The ancestral-spirits shrine. Photograph by the author, October 2026.

4. The “Hyakuren Jitoku” Stone (百錬自得)

A stone bearing the school’s motto Hyakuren jitoku (百錬自得, “through hundredfold tempering, self-attainment”). The characters were chosen by Katsu Kaishū (勝海舟 (opens in a new tab)) and brushed by Yamada Jirōkichi (山田次朗吉).22 No further text is recorded online.

Chiba

A memorial stele (武人ノ碑) to Kawashima Takashi stands in the precincts of Kitashimizu Fudō-in (北清水不動院), Yokoshiba (横芝), Chiba, the birthplace of Kawashima Takashi (川島堯), gō 〔Ryūun 龍雲〕, who is honoured on it as the sixteenth-generation orthodox successor (十六代正統者; sixteenth-generation legitimate successor) of Jikishinkage-ryū.

The text below is transcribed from the photographically reproduced inscription in the town newsletter Kōhō Yokoshiba (広報よこしば), No. 165, 1 June 1978 (Shōwa 53), p. 9 — column “Steles of Yokoshiba” (横芝の碑), installment 68, contributed by Ozawa Harumitsu (小沢春光) of the Cultural Properties Council.23

The inscription dates his birth to the fourth month of Meiji 16 (1883) and his death to the eighth month of Shōwa 33 (1958);24 the headline writes the school 真心影流 while the engraved text uses the standard 直心影流;25 and the stele’s own “seventy-three-year life” does not square with those dates.26

Title graphs on the stele face: 武人ノ碑 — Bujin no hi — “Stele of the Martial Man.”

The inscription (stele face / 表面)

郷土ノ偉人川島堯、明治十六年四月此ノ地ニ生レ、昭和三十三年八月此ノ地ニ没ス。

Kyōdo no ijin Kawashima Takashi, Meiji jūroku-nen shigatsu kono chi ni umare, Shōwa sanjūsan-nen hachigatsu kono chi ni bossu.

Kawashima Takashi, an eminent man of this district, was born at this place in the fourth month of Meiji 16 (1883) and died at this place in the eighth month of Shōwa 33 (1958).

幼少ヨリ文ニ志シ、〔海保漁村ニ比肩ス〕。

Yōshō yori bun ni kokorozashi, 〔Kaiho Gyoson ni hiken su〕.

From childhood he aspired to letters, 〔rivaling the Confucian scholar Kaiho Gyoson〕.

二十余歳ニシテ武人タラムト志シ、一刀流及ビ不二心流ノ免許ヲ得タリ。

Nijūyo-sai ni shite bujin taran to kokorozashi, Ittō-ryū oyobi Fujishin-ryū no menkyo o etari.

In his twenties he resolved to become a warrior and received the licenses of Ittō-ryū and Fujishin-ryū (不二心流).

二十九歳ノ春、台湾警察剣道師範トシテ赴任スルヤ、益々難業ヲ積ミ、弟子ヲ持ツ〔モ〕…

Nijūkyū-sai no haru, Taiwan keisatsu kendō shihan to shite funin suru ya, masumasu nangyō o tsumi, deshi o motsu 〔mo〕…

In the spring of his twenty-ninth year, on taking up the post of kendō instructor to the Taiwan police, he accumulated ever harder training and took on disciples, 〔yet〕…

自ラハ…道ニヨリ後進ヲ善導セムト、無一物ノ…

Mizukara wa … michi ni yori kōshin o zendō sen to, muichimotsu no …

…he himself sought only to guide his juniors through the Way, owning nothing…

心ハ赤誠至純、生来非凡ノ…

Kokoro wa sekisei shijun, seirai hibon no …

His heart was utterly sincere and pure, by nature extraordinary…

力量ハ連続七十人ノ門人ニ対シ、些カモ呼吸ヲ乱サズ。

Rikiryō wa renzoku shichijū-nin no monjin ni taishi, isasaka mo kokyū o midasazu.

In strength, facing seventy disciples in succession, he never once disturbed his breathing.

弓ハ〔寸弓〕ヲ引キ、今為朝ト称セラル。

Yumi wa 〔sun-yumi〕 o hiki, ima Tametomo to shōseraru.

In archery he drew the 〔sun-yumi〕 and was called a latter-day Tametomo.

既ニ台湾ニ比肩スル剣士無ク、弓亦武徳会範士トナルモ、己ヲ持スルニ最モ厳正、道ヲ学ムルニ最モ懸命ナリ。

Sude ni Taiwan ni hiken suru kenshi naku, yumi mata Butokukai hanshi to naru mo, onore o jisuru ni mottomo gensei, michi o manabu ni mottomo kenmei nari.

By then no swordsman in Taiwan could rival him, and in archery too he became a Butokukai hanshi; yet he held himself to the strictest discipline and studied the Way most earnestly.

直心影流十五代山田次郎吉ニ入門、遂ニ〔武道ノ真髄ヲ得〕、請ハレテ同流十六代ヲ継グ。

Jikishinkage-ryū jūgo-dai Yamada Jirōkichi ni nyūmon, tsui ni 〔budō no shinzui o e〕, kowarete dōryū jūroku-dai o tsugu.

He entered the school of Yamada Jirōkichi, fifteenth-generation head of Jikishinkage-ryū, at last 〔grasped the essence of the martial Way〕 and on being asked, succeeded as the sixteenth generation of that school.

文武両道ハ日本人ノ道也、武道ハ元ヨリ競技ニ非ズ。

Bunbu ryōdō wa Nihonjin no michi nari, budō wa moto yori kyōgi ni arazu.

The dual path of letters and arms is the Way of the Japanese; budō was never, from the first, a sport.

戦後道徳ノ混乱セル日本ノ将来ヲ思フトキ、…〔無〕刀ノ剣ヲ奮ヒ、無弓ノ弓ヲ引ク。

Sengo dōtoku no konran seru Nihon no shōrai o omou toki, … 〔mu〕tō no ken o furui, mukyū no yumi o hiku.

Thinking of the future of a Japan whose morals were thrown into confusion after the war, …he wielded the sword of no-sword and drew the bow of no-bow.

七十三年ノ生涯ハ真ノ武人也。此ノ道ノ蘊奥ニ果テハナキモノ〔ト…〕。

Shichijūsan-nen no shōgai wa shin no bujin nari. Kono michi no un’ō ni hate wa naki mono 〔to…〕.

His seventy-three-year life was that of a true martial man. 〔He held that〕 there is no end to the depths of this Way.

Reading notes for individual lines: the Fujishin-ryū reading,27 the term sun-yumi,28 and the Kaiho Gyoson comparison29 each carry caveats.

The uramen (裏面; reverse/hidden side): those who raised the stele

The article states that the reverse bears the names of “thirteen initiators, believed to be his disciples” (門弟と思われる発起人十三名) together with “ten supporters” (賛助者十名; ten supporting members), twenty-three in all. The stele was raised in the memorial month of Shōwa 35 (1960), two years after his death. Kanji are given as read from the reproduction; given-name rōmaji are tentative.30

Initiators — thirteen (発起人十三名; thirteen founding members)

# Name (kanji) Rōmaji (tentative) Note
1 大西英隆 Ōnishi Hidetaka Later counted 17th generation; founder of the Hyakuren-kai
2 伊藤竹松 Itō Takematsu  
3 川島栄太郎 Kawashima Eitarō Shares the Kawashima surname (kin?)
4 斎藤要 Saitō 〔Kaname〕 Segmentation uncertain (whether 要 closes this name)
5 林義郎 Hayashi Yoshirō  
6 井上新太郎 Inoue Shintarō  
7 並木靖 Namiki Yasushi Author of Katsu Kaishū no genten (勝海舟の原点), cited by the article
8 大橋恒治 Ōhashi 〔Tsuneji / Kōji〕  
9 石橋恒一 Ishibashi 〔Kōichi / Tsuneichi〕  
10 安井正行 Yasui 〔Masayuki〕  
11 作田守康 Sakuta 〔Moriyasu〕 Surname/reading tentative
12 伊藤雅之 Itō Masayuki  
13 秋葉隆昌 Akiba 〔Takamasa / Takaaki〕  

Supporters — ten (賛助者十名)

# Name (kanji) Rōmaji (tentative) Note
1 浅野清 Asano Kiyoshi  
2 伊藤馨 Itō Kaoru  
3 斎藤元一 Saitō 〔Gen’ichi / Motoichi〕  
4 平山喜代治 Hirayama 〔Kiyoji〕  
5 芹川昌栄 Serikawa 〔Masae / Shōei〕  
6 伊藤孝 Itō Takashi  
7 秋葉堯 Akiba Takashi 堯 is the same character as Kawashima’s given name
8 秋葉信夫 Akiba Nobuo  
9 伊藤一 Itō Hajime  
10 宇都木昭三 Utsugi 〔Shōzō〕 Surname reading Utsugi/Utsuki tentative

Reading the 1968 Founder’s Stele

A commentary on the Kashima Jingū Jikishinkage-ryū founder’s stele (鹿島神傳直心影流流祖碑). The full transcription and translation are in the Kashima transcription above; this piece reads that text rather than reproducing it.

The founder’s stele raised at Kashima Jingū in 1968 is not a neutral lineage record but a composed argument. It tells a single, smooth story that begins in the age of the gods and ends in a Zen reading of the school’s name, and it is worth seeing how that smoothness is produced — because the seam it hides is the omission of the sixteenth-generation head, Kawashima Takashi.

Read for proportion, the inscription spends almost all of its length on its two ends and almost none on its middle. The mythic opening is lavish: Takemikazuchi descending from Takamagahara with the Futsu-no-mitama sword, the cession of the land by Ōkuninushi, Kashima as the wellspring of both the imperial polity and “martial fortune,” the frontier-guards and the Kashima-dachi.

The name-etymology, too, gets its own clause — all actions are shadows of the heart; the upright heart is what matters.

But the actual human succession is dispatched in a single breath: founder, Kamiizumi, the seventh-generation Yamada, “five hundred years,” and then straight to the fifteenth-generation Yamada Jirōkichi and the seventeenth-generation Ōnishi Hidetaka. The eighth through fourteenth generations disappear; so does the sixteenth.31

Both bookends do the same work from opposite directions: they ground the school in something trans-historical. The Kashima founding roots it in sacred place and national origin; the name-gloss roots it in mind. The quote: “the root of the sword is not in technique… the upright heart is what matters” — is the kenzen-ichinyo (sword-and-Zen-as-one) reading that the tradition embraced across the twentieth century, from Yamaoka Tesshū (opens in a new tab)’s remark on upper-level Jikishinkage-ryū practice being the equivalent of zazen, to Omori Sogen’s calligraphy of the memorial.

The frame in which both anchors sit is the idiom of prewar imperial-Shintō and kokutai ideology.32

From the Meiji Restoration to 1945 the Japanese state promoted a doctrine of national essence (kokutai, 国体) holding that Japan was a divinely founded polity ruled in unbroken succession by an imperial line descended from the sun-goddess Amaterasu, with the emperor as sacred sovereign; shrine ritual, emperor-veneration and national identity were fused under the principle of saisei-itchi, the unity of worship and government. In the 1930s and 1940s this complex supplied the vocabulary of expansion, condensed in slogans such as hakkō ichiu — “the eight corners of the world under one roof” — a phrase coined by the Nichirenist Tanaka Chigaku in 1903 from the Nihon Shoki’s account of Emperor Jinmu and taken up by the second Konoe cabinet in 1940 as the watchword of the “Greater East Asia” order.33

The Allied Occupation’s Shintō Directive of December 1945 formally disestablished this and barred its public propagation.

The cluster of terms on the 1968 stele — kōkoku (the imperial land), Yamato-damashii, tengyō (the heavenly enterprise), the dating by the imperial year-count (kōki 2628) and the prayer for “the protection of the imperial land” — belongs squarely to this register, reasserted twenty-three years later.

This is not an idiosyncrasy of the memorial. The Issei-kai (一誠会), a separate Jikishinkage-ryū body, opens its own website with a doctrinal preamble in the same key: it presents the school’s transmission as passing from the fifteenth-generation Yamada to the seventeenth-generation Ōnishi, then declares that the Japanese people must, “in accordance with the great way of hakkō ichiu since the founding of the nation by Emperor Jinmu,” take the lead in a “world renovation” and a mission of salvation on which the nation’s very survival depends — the key to which lies in the practice of the “great divine way” (kannagara no ōdō) and the rousing of the Japanese spirit through hyakuren-jitoku.34

Where the Kashima inscription reads kannagara no daidō (惟神之大道, “the great Way of the gods”), the Issei-kai uses the same term, kannagara no ōdō (惟神の大道).35 Second, the Issei-kai mirrors the stele exactly: while its formal lineage page lists Kawashima as the sixteenth generation, its manifesto jumps from the fifteenth to the seventeenth.

A useful frame for readers is the historian Eric Hobsbawm’s concept of the invention of tradition: practices and lineages presented as ancient and continuous are often constructions that use the appearance of antiquity to confer authority on present arrangements.36

The 1968 stele is a strong candidate for a concrete instance of that — a recent monument projecting a seamless, sacralized continuity backward from the present custodians to the gods. This act is an interpretive lens with mythic and Zen anchors. The imperial-Shintō idiom manufactures a continuity into which an inconvenient sixteenth generation, residing in Taiwan, simply does not fit.

The point sharpens compared with Kawashima’s own memorial at Kitashimizu, raised in 1960. That stele is biographical — a man’s naval service, his Taiwan post, the feat of seventy successive opponents, the rescued transmission documents, “a true martial man of seventy-three years” — and it counts him the sixteenth.

The Kashima monument of 1968 in contrast is cosmological — a place, a myth, a principle — and it omits him. It is likely the later stele at Kashima is an effort to establish a public narrative about Ōnishi, after his death, that he himself may not have shared.

References

The sources cited across these steles are collected in the site source register.

End Notes

  1. Provenance. The founder’s-stele inscription and the identifications of all four monuments are transcribed from the Hyakuren-kai’s page “鹿島神宮の関連施設” (see References). The founder’s-stele text has since been checked against a photograph of the stone (October 2026), which settled the doubtful characters and corrected the web transcription in eight places: 神髓 (not 真髄), 惟神之大道 (not 〔六〕道), 至誠一貫 (not 至道一貫), 武道發祥 (not 武運), 神祐 (not 神佑), 神傳 (not 神殿), 相議リ (not 相譲リテ), and 微衷 (not 微哀); the stone also has no テ after 至リ and 及ビ, and no punctuation. The stone uses the older character forms (來, 劍, 傳, 國, 髓); the transcription keeps the web source’s mixed forms elsewhere. The clause divisions and the rōmaji are editorial. The Yamada stele’s text is read directly from photographs of the stone (see its own provenance note). ↩

  2. The omitted sixteenth generation. The succession clause runs from the fifteenth-generation Yamada Jirōkichi directly to the seventeenth-generation Ōnishi Hidetaka, described as Yamada’s disciple; there is no sixteenth generation. Kawashima Takashi (川島堯), named “sixteenth-generation orthodox” on his Yokoshiba memorial of 1960 (see the companion document), is absent. As this stele was raised in 1968 in Ōnishi’s name, it is the public monument of the Hyakuren-kai’s “straight from Yamada to Ōnishi” numbering, and it post-dates the Yokoshiba stele — placing the hardening of that numbering between 1960 and 1968. ↩ ↩2

  3. Frontispiece. By Sasai Shintarō (佐々井信太郎), styled Doctor of Literature (文学博士), Junior Seventh Rank, Order of Merit Third Class. Identity beyond the titles given on the stele is not verified here. ↩

  4. Composer. Mizuma Shingo (三潴信吾), Professor at Takasaki City University of Economics — an institution with standing Hyakuren-kai ties (its kendō club appears among the body’s affiliated groups), which underscores the stele’s provenance within the Ōnishi line. ↩

  5. Calligrapher. Ōmori Sōgen (the page writes 大森曽玄; the usual form is 大森曹玄), the Rinzai Zen master and swordsman, whose own Jikishinkage-ryū line is recorded separately from the Hyakuren-kai. His hand on this stele is itself a datum about the networks around the 1968 monument. ↩

  6. Register and dating. The inscription is dated by the imperial era-count (kōki 皇紀 2628 = 1968) and is composed in an explicitly Shintō-nationalist idiom (皇国 “imperial land,” 大和魂 “Yamato spirit,” 天業 “heavenly enterprise,” 皇国守護 “protection of the imperial land”). It is useful to read alongside the comparable period rhetoric of related Jikishinkage-ryū bodies. ↩

  7. 惟神之大道. The stone reads 大 (photograph, October 2026); the 六 of the web transcription was an error. 惟神 (kannagara) denotes “the way of the gods,” and 惟神之大道 is “the great Way of the gods,” the same phrase the Issei-kai (一誠会) uses in its doctrinal preamble, 惟神の大道(神ながらの道); see https://www.isseikaiweb.com/ (opens in a new tab) and the companion commentary. ↩

  8. 生ク足ル. Reading and sense uncertain; rendered here as “a life fully lived.” To be verified. ↩

  9. Founder’s name. The stele gives the founder as Matsumoto Bizen-no-kami Naokatsu (松本備前守尚勝). Other accounts give Masamoto (政元), or record a change from Naokatsu to Masamoto; the existence and identity of the founder are themselves debated in the scholarship. ↩

  10. 神傳. The stone reads 神傳 (shinden, “divine transmission”); the web transcription’s 神殿 (“shrine hall”) was an error. ↩

  11. 微衷. The stone reads 微衷 (bichū, “humble sincere intent”), not the web transcription’s 微哀. In the photograph the central stroke of 中 is faint, so the reading is probable rather than certain, but 微衷 is the only one that makes sense. ↩

  12. Komatsu Teruhisa (小松輝久, 1888–1970), naval officer and marquis, was a son of Prince Kitashirakawa Yoshihisa, adopted to revive the Komatsu house; a major patron of kendō. The stele records that he and his brother Naruhisa studied under Yamada, which explains his hand on the header. ↩ ↩2

  13. Provenance. Read from the stone, column by column, in photographs taken in October 2026; no transcription of this inscription appears to exist online. Each column runs into the next without a break. Lichen and weathering leave three characters unreadable (□) and a few uncertain (〔〕); a rubbing would settle them. The stone uses the older character forms (德, 竝, 槩) and an iteration mark in 余〻 (“…徵文於余。余平生…”). An earlier draft of this transcription, made before the columns were read in full, differed in many places; this version supersedes it. ↩

  14. “Fourteen generations to Sakakibara.” The 1931 stone counts Sakakibara Kenkichi fourteenth and Yamada fifteenth, the same numbering the 1968 founder’s stele assumes; it also already carries the “Kashima Shin-ryū founded by Matsumoto, later renamed” frame that the 1968 stone elaborates mythically. ↩

  15. 上総富岡村. Tomioka village in Kazusa — present-day Chiba, the same province as Kawashima’s Yokoshiba. The register entry’s birth year of 1863 fits the stele’s age at death (68 by Japanese count). ↩

  16. The 1895 Taiwan episode. Prince Kitashirakawa Yoshihisa, formerly Rinnōji-no-miya and nominal head of the Shōgitai at Ueno in 1868, commanded the Imperial Guards in the 1895 Taiwan expedition and died of illness there. The stone ties Yamada to him through Sakakibara, and the memorial biography published the same year tells the story in full: at Ueno, Sakakibara carried the prince to safety on his back (榊原先生が負ひ參らせた), which is presumably what the stone’s two unreadable characters after 奉 express; Naruhisa and Teruhisa were afterwards Sakakibara’s pupils, then Yamada’s; and in 1895 Yamada, “thinking this the moment to repay the favour shown to two generations, teacher and pupil,” set about raising a drawn-sword unit to guard the prince, which the government would not permit. When the prince died in the field that October, Yamada “wept aloud the whole night.” Ko-Yamada Shihan Kinen Jigyōkai, Ittokusai Yamada Jirōkichi den (一徳斎山田次朗吉伝, 1931), pp. 27–28: https://dl.ndl.go.jp/pid/1023242/1/25 (opens in a new tab). ↩

  17. “None who could fathom the secret depths” (莫能究其秘奧者). See the discussion under What the stone says. The clause is Shionoya’s, composed from the disciples’ submitted record, and reflects the Tokyo circle’s 1931 position; it is evidence that no successor was publicly recognized in 1931, not evidence that none existed. ↩

  18. Death date. 9 January Shōwa 5 = 9 January 1930, aged 68 (kazoe). The memorial biography of the same year, Ittokusai Yamada Jirōkichi den (一徳斎山田次朗吉伝, 1931), gives the same day, at 7.35 in the evening. Secondary sources often give 1929; the register now follows the stele. ↩

  19. 先□君. The character after 先 cannot be read. A dot over a long horizontal survives, which would fit 府 (先府君, “my late father,” a usual form in epitaphs), but the stone does not settle it. Read so, Shionoya says that his own father had also been a friend of Yamada’s. ↩

  20. 據狀 — “following the record.” Shionoya’s explicit statement that he worked from the disciples’ submission is the hinge for reading this stele: its biographical content and its silence on succession both come from the commissioning circle. ↩

  21. 法定. The Hōjō (法定), the fundamental kata of Jikishinkage-ryū. Both characters are partly under lichen; the strokes that survive (氵 and 去, 宀 over 疋) fit 法定. The memorial biography confirms the practice: from 1917 Yamada led his pupils to Kashima every summer to offer kata before the god, and kept it up almost without a break until 1929 (Ittokusai Yamada Jirōkichi den, pp. 51–53: https://dl.ndl.go.jp/pid/1023242/1/37 (opens in a new tab)). ↩

  22. The Katsu Kaishū connection. That the school’s motto stone pairs Katsu Kaishū’s choice of characters with Yamada Jirōkichi’s brush reflects Katsu’s own grounding in Jikishinkage-ryū (via Shimada Toranosuke, a disciple of the thirteenth-generation Odani Nobutomo) — the same lineage tie that a disciple-author of Kawashima’s circle, Namiki Yasushi, took as the subject of Katsu Kaishū no genten. ↩

  23. Provenance. This is a transcription of a 1978 newsprint reproduction of the inscription, not a reading from the stone itself. Clause divisions and several readings are provisional and should be verified against the stele in situ at Kitashimizu Fudō-in (北清水不動院), Yokoshiba, Chiba. ↩

  24. Death date. The inscription gives the eighth month of Shōwa 33 (1958); the article independently states the stele was raised “two years after,” in Shōwa 35 (1960) — internally consistent. A separate kyūdō biography gives the death as August Shōwa 32 (1957). The one-year discrepancy is unresolved; the contemporaneous stele favours 1958. ↩

  25. Orthography (真 vs 直). The newsletter’s headline writes the school 真心影流 (with 真); the engraved inscription quoted in the body uses the standard 直心影流 (with 直). The 真心 form appears to be the newsletter’s own variant. ↩

  26. “Seventy-three years.” This does not square with a birth in 1883 and a death in 1957/58 (about 75 years, 76 by Japanese count). The figure looks like an error on the stele or in the newsprint; flagged rather than silently corrected. ↩

  27. 不二心流 — Fujishin-ryū. A late-Edo kenjutsu school founded c. 1818 (Bunsei 1) by Nakamura Isshinsai (中村一心斎; originally Nakamura Hachihei 中村八平), who took the name after a hundred-day austerity on Mt. Fuji and the realization “in my heart there is no divided mind” (我が心に二心無し) — 不二 punning on the mountain and on “non-dual.” Trained earlier in Asayama Ichiden-ryū and Kawara Shōshin-ryū and as head student of Suzuki Onohachirō’s Shintō Munen-ryū dōjō; it spread widely as a “village kenjutsu” (在村剣術). See 全日本剣道連盟「幕末在村剣術と現代剣道 第1回 不二心流・中村一心斎の巻」 (opens in a new tab) (Kazuma Kōji). ↩

  28. 寸弓. Meaning uncertain — possibly a particular bow, or a measured full draw. Flagged. ↩

  29. 海保漁村. Taken as the Kazusa-born Confucian scholar Kaiho Gyoson (1798–1866); the comparison suits the “aspired to letters” clause and the shared Chiba/Kazusa region. A place-name reading cannot be wholly excluded. ↩

  30. Name readings. Kanji are given as read from the scan. Given-name rōmaji are tentative because the carved names carry no furigana and most readings are ambiguous (e.g. 恒治 Tsuneji/Kōji; 隆昌 Takamasa/Takaaki; 喜代治 Kiyoji). Item 4 (斎藤要) depends on whether 要 closes that name; the parenthetical otherwise totals exactly thirteen with 斎藤要 read as one name. All should be checked against the stone. ↩

  31. On the Yokoshiba memorial of 1960, raised by Kawashima’s disciples with Ōnishi as the first-listed initiator, Kawashima Takashi (川島堯) is named sixteenth-generation orthodox successor. The 1968 Kashima stele, raised in Ōnishi’s name, runs the succession fifteenth → seventeenth with no sixteenth generation. The two monuments thus bracket the period in which the “straight from Yamada to Ōnishi” numbering hardened. ↩

  32. I use “prewar imperial-Shintō / kokutai ideology” in preference to “State Shintō.” The latter (国家神道, kokka shintō) is a real but contested historiographic category whose scope and coherence scholars dispute; see Hardacre, Shinto and the State. The stele post-dates the institutional disestablishment of State Shintō, so it is more accurate to say it deploys the idiom of that ideology than to call it an organ of it. ↩

  33. Hakkō ichiu (八紘一宇), “the eight corners of the world under one roof,” was coined in 1903 by the Nichiren-Buddhist nationalist Tanaka Chigaku from a phrase in the Nihon Shoki’s enthronement account of Emperor Jinmu, and was adopted by the second Konoe cabinet in 1940 as a slogan of imperial expansion. It is now widely glossed in reference works as a wartime justification for the invasion of China and Southeast Asia. ↩

  34. 鹿島神傳直心影流 一誠会, homepage, https://www.isseikaiweb.com/ (opens in a new tab). The passage is paraphrased here; readers can consult the original for the full wording. Its register — hakkō ichiu, “world renovation,” national survival, the “great divine way,” and the rousing of the Japanese spirit — is the same as the 1968 stele’s. ↩

  35. The stone itself reads 惟神之大道; the web transcription’s 六 was an error. The Issei-kai preamble’s 惟神の大道 (“the great divine way”) is the same phrase. ↩

  36. Eric Hobsbawm’s term, from The Invention of Tradition (1983): traditions that “appear or claim to be old are often quite recent in origin and sometimes invented,” establishing continuity with a suitable historic past largely by repetition and ritual rather than by unbroken descent. The concept is descriptive, not pejorative; many durable institutions rest on invented traditions. ↩